In advance of the October 31st release of Unspeakable Horror 2: Abominations of Desire (Evil Jester Press, 2017), the new spiffy trailer from the fine folks at Circle of Seven Productions.
What happens when human
desire twists…bends…warps…mutates?
What happens when that desire
is fed…or even starved?
In this sequel to the Bram
Stoker Award®-winning anthology, Editor Vince Liaguno assembles a literary pantheon from the LGBT and horror communities to
explore the dark underbelly of desire.
From unrequited love and
repressed lust to consuming grief and the unquenchable thirst of addiction…from
unfathomable sexual undergrounds to unspeakable perversions creeping into
everyday suburbia, these abominations of desire will leave you gasping for
breath and your taste for terror satiated.
Contributors include: Gemma Files, Laird Barron, Stephen Graham Jones, Lee
Thomas, Helen Marshall, David Nickle, Lisa Morton, Norman Prentiss, Greg
Herren, Tom Cardamone, Erastes, Marshall Moore, Evan J. Peterson, Chad Helder,
Brad Hodson, Michael Hacker, R.B. Payne, Martel Sardina, and Martin Rose.
“There are plenty of those to
be found in Liaguno and Helder’s collection of 23 tales of queer faeries,
psychopaths, ghosts of tormented lovers and hapless victims. What impresses me
is the sheer literacy of these stories. There are no cheap shocks or Stephen
King-like pop culture regurgitations here; only nasty things that bump and
shudder the bed as you read.” – Out In
Print
“It was inevitable that the
narrowing portals of the publishing industry—in this case, the horror
side—would yield a bevy of small presses geared at bringing new fear fiction to
readers increasingly starved for quality. While books from such outfits can be
a bit of a gamble, there is much to praise in Unspeakable Horror: From the
Shadows of the Closet, a sharp, new gay-themed anthology. The 24 entries
comprise a sophisticated collection of topnotch tales of terror, most of which
could appear in any fright anthology without qualification, and suggest the
maturing of ‘gay horror’ into a viable and solid genre indeed.” –
Fangoria Magazine
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